Spheres Of Light

THE WITCHES' SABBATS

A collection of articles
by Mike Nichols



Introduction to THE SABBATS

by Mike Nichols

Thank you for the days,
Those endless days, those sacred days you gave me.
I won't forget a single day, believe me.
     - The Kinks, "Days" (Ray Davies)

The most important thing to understand about the eight Witchcraft Sabbats is that they are not man-made. By this, I mean that they are not holidays in the same way that Independence Day is a holiday, i.e., a calendar anniversary of some date that has a special importance in history. Indeed, the Sabbats of Witchcraft do not commemorate any historical event and are, as we shall see, almost antithetical to the concept of history. Nor are they randomly chosen holidays to observe some social institution, such as Mother's Day. No, the eight Sabbats of Witchcraft were not man-made because they existed long before man was made. Or woman. Or the dinosaurs. Or life on this planet. Indeed, these eight holidays might be said to be as old as the Earth itself. They might not have been called "Sabbats" then, but they were there just the same.

The reason these holidays are so old is because they are a basic part of how the Earth works. Consequently, these holidays are not of history; they are of nature. You see, we happen to live on a beautiful blue-green planet that spins on its axis. And that axis is tilted, slightly, to the plane of the Earth's orbit around the sun. The practical upshot of all this is that once a year, we have a night that is the longest night of the year, accompanied by the shortest day. When the hours between sundown and sunup are the greatest, and the hours between sunup and sundown are least. And we call this time the "winter solstice". And exactly opposite it on the wheel of the year, we have its opposite, the longest day of the year, and the shortest night. And we call this time the "summer solstice".

And having got this far in our analysis of the planet's yearly cycle, it becomes easy to spot two more days that are similar and equally important. Each spring, there comes a day when the hours between sunrise and sunset are exactly equal to the hours between sunset and sunrise. And we call this the "vernal equinox". Likewise, there comes a day each fall when the hours of darkness and the hours of daylight are exactly in balance. And we call this the "autumnal equinox". It cannot be overstressed that the importance of these four days lies in the fact that nobody 'made them up'; rather, they are simply a part of how this planet works.

It is reasonable to assume that even the most primitive of humans noticed this change in the hours of daylight, and the consequent change in the seasons. One can well imagine the anxiety in the mind of the "noble savage" as he witnessed the dwindling hours of daylight each autumn. And the sense of relief he must have felt when the year "turned the corner" at the winter solstice, and the days started to grow longer again, promising that spring would indeed return. Is it any wonder then that the oldest astronomical alignment of which we have a record points to the sun's position in the sky on the winter solstice? And this is in a burial mound in Co. Meath, Ireland.

In fact, the relatively new science of archaeoastronomy underlies much of what has been discovered about the Old Holidays. Megalithic sites such as Stonehenge, for example, have clear alignments to both the summer and winter solstice, and the vernal and autumnal equinox. Nor are such alignments confined to the British Isles; indeed they can be found the world over: from the pyramids of ancient Egypt to the ancient temples of China; from the cliff dwellings of the Anasazi to the temples of Peru. The two solstices and two equinoxes must certainly be the oldest holidays known to humans, and they were known worldwide. Folklorists refer to these four days as the "quarter days", inasmuch as they quarter the year. Astrologers know them, too, for three zodiac signs fit neatly into each quadrant, beginning with the first day of Aries at the vernal equinox. And modern Witches tend to call them the four "Lesser Sabbats" or "Low Holidays".

The four "Greater Sabbats" or "High Holidays" of the Witches' calendar may seem slightly less obvious at first. Essentially, they bisect the quarters we have already discussed, falling at the midpoint of each. For this reason, folklorists refer to them as the "cross-quarter days". With these in place, the circle of the year begins to look like an eight-spoked wheel, which is a sacred symbol in many ancient religions. Because these four days are not as firmly marked by terrestrial events as the solstices and equinoxes, some writers have been led to speculate that they are derivative, and that their observation evolved at a much later stage of cultural evolution. Yet, although they may not be completely contemporaneous, their great antiquity was quite recently underscored by the discovery in Ireland of earthwork alignments of the sun's position on the horizon for each of the cross-quarter days! That means that the holiday we today call "Halloween" has been celebrated as far back as megalithic times!

That the cross-quarter days should be regarded as more important than the solstices or equinoxes should come as no surprise. It is a common human experience that things reach their greatest strength, their moment of peak energy, at their midpoint. In observing a human life, for example, a person is usually at the apex of health and vigor at a point about halfway through his mortality. So, too, with most other things in nature. So, too, with each quarter of the year. The cross-quarter days can thus be seen as the four "power points" of the year. Consequently, those power points were marked by the four most important holidays of the Witches' year which, according to the old folk calendar, also marked the turning of the seasons. These also correspond with the tetramorph figures of the zodiac, and were later adopted by Christian tradition as the sigils of the four Gospel writers.

Whenever I am asked what things make a Witch's worldview different from other people's, one of the first things I think about is the Witch's sensitivity to the cycles of nature, especially the cycles of the moon and sun. In our modern world, insulated as we are from the progress of the seasons, we can go to the local supermarket and buy veggies and fruit year round, without consideration of what is "in season". Still, a Witch can usually tell you where she is in the course of the year, or what phase the moon is in. (Incidentally, the word "Sabbat" was originally Babylonian and was used to designate the quarter days of the lunar cycle - full, new, first and last quarter - thus occurring about every seven days. It was only later that the ancient Hebrew people borrowed the word and used it to denote a day of rest and prayer, occurring every seventh day without exception.)

And nothing can keep a modern Witch in tune with the cycles of nature like observing the Old Holidays. I can still remember the feeling I sometimes got as a child that a particular night during the year was somehow special, charged with magic and power, alive and responsive to my inner thoughts and desires. Like Halloween night (always my favorite holiday) in some ways, but different too, and occurring at other points of the year. I never knew why such nights occurred, but I knew they had to be celebrated, by placing candles on the front porch railings, creating mysterious shadow plays where the light of an old incandescent street lamp fell on the side of the garage, or playing hide-and-seek with the neighborhood kids, the wind helping my running. Or maybe an impromptu weenie roast (always a good excuse for building a big bonfire) was called for. I can't prove it, of course, because I didn't keep a diary, but I'd be almost willing to bet that I had stumbled onto the Old Holidays, vestiges of their primordial power still echoing down through the centuries.

Finding out more about these ancient holy days has been a lifelong labor of love for me, and I sincerely hope that the gleanings of my own research into these mysteries will kindle in my readers that same sense of magic and grounding or "connectedness" with nature that I have always experienced when contemplating the Old Holidays.

Most Recent Text Revision: Thursday, May 5, 2005 c.e.
Text editing courtesy of Acorn Guild Press.
Document Copyright © 1995, 2005 by Mike Nichols.

Permission is given to re-publish this document only as long as no information is lost or changed, credit is given to the author, and it is provided or used without cost to others. This notice represents an exception to the copyright notice found in the Acorn Guild Press edition of The Witches' Sabbats and applies only to the text as given above. Other uses of this document must be approved in writing by Mike Nichols.

Midwinter's Eve:
YULE

by Mike Nichols

Our Christian friends are often quite surprised at how enthusiastically we Pagans celebrate the 'Christmas' season. Even though we prefer to use the word "Yule", and our celebrations may peak a few days before the twenty-fifth, we nonetheless follow many of the traditional customs of the season: decorated trees, caroling, presents, Yule logs, and mistletoe. We might even go so far as putting up a 'Nativity set', though for us the three central characters are likely to be interpreted as Mother Nature, Father Time, and the baby Sun God. None of this will come as a surprise to anyone who knows the true history of the holiday, of course.

In fact, if truth be known, the holiday of Christmas has always been more Pagan than Christian, with its associations of Nordic divination, Celtic fertility rites, and Roman Mithraism. That is why John Calvin and other leaders of the Reformation abhorred it, why the Puritans refused to acknowledge it, much less celebrate it (to them, no day of the year could be more holy than the Sabbath), and why it was even made illegal in Boston! The holiday was already too closely associated with the birth of older Pagan Gods and heroes. And many of them (like Oedipus, Theseus, Hercules, Perseus, Jason, Dionysus, Apollo, Mithra, Horus, and even Arthur) possessed a narrative of birth, death, and resurrection that was uncomfortably close to that of Jesus. And to make matters worse, many of them predated the Christian Savior.

Ultimately, of course, the holiday is rooted deeply in the cycle of the year. It is the winter solstice that is being celebrated, seedtime of the year, the longest night and shortest day. It is the birthday of the new Sun King, the Son of God--by whatever name you choose to call him. On this darkest of nights, the Goddess becomes the Great Mother and once again gives birth. And it makes perfect poetic sense that on the longest night of the winter, "the dark night of our souls", there springs the new spark of hope, the Sacred Fire, the Light of the World, the Coel Coeth.

That is why Pagans have as much right to claim this holiday as Christians. Perhaps even more so, since the Christians were rather late in laying claim to it, and tried more than once to reject it. There had been a tradition in the West that Mary bore the child Jesus on the twenty-fifth day, but no one could seem to decide on the month. Finally, in 320 C.E., the Catholic fathers in Rome decided to make it December, in an effort to co-opt the Mithraic celebration of the Romans, the Yule festival of the Saxons, and the midwinter revels of the Celts.

There was never much pretense that the date they finally chose was historically accurate. Shepherds just don't "tend their flocks by night" in the high pastures in the dead of winter! But if one wishes to use the New Testament as historical evidence, this reference may point to sometime in the spring as the time of Jesus' birth. This is because the lambing season occurs in the spring and that is the only time when shepherds are likely to "watch their flocks by night"--to make sure the lambing goes well. Knowing this, the Eastern half of the church continued to reject December 25, preferring a "movable date" fixed by their astrologers according to the moon.

Thus, despite its shaky start (for over three centuries, no one knew when Jesus was supposed to have been born!), December 25 finally began to catch on. By 529, it was a civic holiday, and all work or public business (except that of cooks, bakers, or any that contributed to the delight of the holiday) was prohibited by the Emperor Justinian. In 563, the Council of Braga forbade fasting on Christmas Day, and four years later the Council of Tours proclaimed the twelve days from December 25 to Epiphany as a sacred, festive season. This last point is perhaps the hardest to impress upon the modern reader, who is lucky to get a single day off work. Christmas, in the Middle Ages, was not a single day, but rather a period of twelve days, from December 25 to January 6. The Twelve Days of Christmas, in fact. It is certainly lamentable that the modern world has abandoned this approach, along with the popular Twelfth Night celebrations.

Of course, the Christian version of the holiday spread to many countries no faster than Christianity itself, which means that "Christmas" wasn't celebrated in Ireland until the late fifth century; in England, Switzerland, and Austria until the seventh; in Germany until the eighth; and in the Slavic lands until the ninth and tenth. Not that these countries lacked their own midwinter celebrations. Long before the world had heard of Jesus, Pagans had been observing the season by bringing in the Yule log, wishing on it, and lighting it from the remains of last year's log. Riddles were posed and answered, magic and rituals were practiced, wild boars were sacrificed and consumed along with large quantities of liquor, corn dollies were carried from house to house while caroling, fertility rites were practiced (girls standing under a sprig of mistletoe were subject to a bit more than a kiss), and divinations were cast for the coming spring. Many of these Pagan customs, in an appropriately watered-down form, have entered the mainstream of Christian celebration, though most celebrants do not realize (or do not mention it, if they do) their origins.

For modern Witches, Yule (from the Anglo-Saxon yula, meaning "wheel" of the year) is usually celebrated on the actual winter solstice, which may vary by a few days, though it usually occurs on or around December 21. It is a Lesser Sabbat or Low Holiday in the modern Pagan calendar, one of the four quarter days of the year, but a very important one. Pagan customs are still enthusiastically followed. Once, the Yule log had been the center of the celebration. It was lighted on the eve of the solstice (it should light on the first try) and must be kept burning for twelve hours, for good luck. It should be made of ash. Later, the Yule log was replaced by the Yule tree but, instead of burning it, lighted candles were placed on it. In Christianity, Protestants might claim that Martin Luther invented the custom, and Catholics might grant St. Boniface the honor, but the custom can demonstrably be traced back through the Roman Saturnalia all the way to ancient Egypt. Needless to say, such a tree should be cut down rather than purchased, and should be disposed of by burning, the proper way to dispatch any sacred object.

Along with the evergreen, the holly and the ivy and the mistletoe were important plants of the season, all symbolizing fertility and everlasting life. Mistletoe was especially venerated by the Celtic Druids, who cut it with a golden sickle on the sixth night of the moon, and believed it to be an aphrodisiac. (Magically--not medicinally! It's highly toxic!) But aphrodisiacs must have been the smallest part of the Yuletide menu in ancient times, as contemporary reports indicate that the tables fairly creaked under the strain of every type of good food. And drink! The most popular of which was the "wassail cup", deriving its name from the Anglo-Saxon term waes hael (be whole or hale).

Medieval Christmas folklore seems endless: that animals will all kneel down as the Holy Night arrives, that bees hum the 100th psalm on Christmas Eve, that a windy Christmas will bring good luck, that a person born on Christmas Day can see the Little People, that a cricket on the hearth brings good luck, that if one opens all the doors of the house at midnight all the evil spirits will depart, that you will have one lucky month for each Christmas pudding you sample, that the tree must be taken down by Twelfth Night or bad luck is sure to follow, that "if Christmas on a Sunday be, a windy winter we shall see", that "hours of sun on Christmas Day, so many frosts in the month of May", that one can use the Twelve Days of Christmas to predict the weather for each of the twelve months of the coming year, and so on.

Remembering that most Christmas customs are ultimately based upon older Pagan customs, it only remains for modern Pagans to reclaim their lost traditions. In doing so, we can share many common customs with our Christian friends, albeit with a slightly different interpretation. And, thus, we all share in the beauty of this most magical of seasons, when the Mother Goddess once again gives birth to the baby Sun God and sets the wheel in motion again. To conclude with a long-overdue paraphrase, "Goddess bless us, every one!"

Most Recent Text Revision: Tuesday, May 3, 2005 c.e.
Text editing courtesy of Acorn Guild Press.
Document Copyright © 1986, 1995, 2005 by Mike Nichols.

Permission is given to re-publish this document only as long as no information is lost or changed, credit is given to the author, and it is provided or used without cost to others. This notice represents an exception to the copyright notice found in the Acorn Guild Press edition of The Witches' Sabbats and applies only to the text as given above. Other uses of this document must be approved in writing by Mike Nichols.

CANDLEMAS
The Light Returns

by Mike Nichols

It seems quite impossible that the holiday of Candlemas should be considered the beginning of spring. Here in the Heartland, February 2 may see a blanket of snow mantling the Mother. Or, if the snows have gone, you may be sure the days are filled with drizzle, slush, and steel-grey skies--the dreariest weather of the year. In short, the perfect time for a Pagan Festival of Lights. And as for spring, although this may seem a tenuous beginning, all the little buds, flowers, and leaves will have arrived on schedule before spring runs its course to Beltane.

"Candlemas" is the Christianized name for the holiday, of course. The older Pagan names were Imbolc and Oimelc. Imbolc means, literally, "in the belly" (of the Mother). For in the womb of Mother Earth, hidden from our mundane sight but sensed by a keener vision, there are stirrings. The seed that was planted in her womb at the solstice is quickening and the new year grows. Oimelc means "milk of ewes", for it is also lambing season.

The holiday is also called "Brigit's Day", in honor of the great Irish Goddess Brigit. At her shrine, the ancient Irish capitol of Kildare, a group of nineteen priestesses (no men allowed) kept a perpetual flame burning in her honor. She was considered a Goddess of fire, patroness of smithcraft, poetry, and healing (especially the healing touch of midwifery). This tripartite symbolism was occasionally expressed by saying that Brigit had two sisters, also named Brigit. (Incidentally, another form of the name Brigit is Bride, and it is thus she bestows her special patronage on any woman about to be married or handfasted, the woman being called "bride" in her honor.)

The Roman Catholic Church could not very easily call the Great Goddess of Ireland a demon, so they canonized her instead. Henceforth, she would be 'Saint' Brigit, patron saint of smithcraft, poetry, and healing. They 'explained' this by telling the Irish peasants that Brigit was 'really' an early Christian missionary sent to the Emerald Isle, and that the miracles she performed there 'misled' the common people into believing that she was a Goddess. For some reason, the Irish swallowed this. (There is no limit to what the Irish imagination can convince itself of. For example, they also came to believe that Brigit was the 'foster mother' of Jesus, giving no thought to the implausibility of Jesus having spent his boyhood in Ireland!)

Brigit's holiday was chiefly marked by the kindling of sacred fires, since she symbolized the fire of birth and healing, the fire of the forge, and the fire of poetic inspiration. Bonfires were lighted on the beacon tors, and chandlers celebrated their special holiday. The Roman Church was quick to confiscate this symbolism as well, using "Candlemas" as the day to bless all the church candles that would be used for the coming liturgical year. (Catholics will be reminded that the following day, St. Blaise's Day, is remembered for using the newly blessed candles to bless the throats of parishioners, keeping them from colds, flu, sore throats, etc.)

The Catholic Church, never one to refrain from piling holiday upon holiday, also called it the Feast of the Purification of the Blessed Virgin Mary. (It is surprising how many of the old Pagan holidays were converted to Maryan feasts.) The symbol of the purification may seem a little obscure to modern readers, but it has to do with the old custom of "churching women". It was believed that women were impure for six weeks after giving birth. And since Mary gave birth at the winter solstice, she wouldn't be purified until February 2. In Pagan symbolism, this might be retranslated as when the Great Mother once again becomes the young Maiden Goddess.

Today, this holiday is chiefly connected to weather lore. Even our American folk calendar keeps the tradition of "Groundhog Day", a day to predict the coming weather, telling us that if the groundhog sees his shadow, there will be "six more weeks" of bad weather (i.e., until the next Old Holiday, Lady Day). This custom is ancient. An old British rhyme tells us that "if Candlemas Day be bright and clear, there'll be two winters in the year". Actually, all of the cross-quarter days can be used as inverse weather predictors, whereas the quarter days are used as direct weather predictors.

Like the other High Holidays or Great Sabbats of the Witches' year, Candlemas is sometimes celebrated on its alternate date, astrologically determined by the sun reaching fifteen degrees Aquarius, or Candlemas Old Style. Incidentally, some modern Pagan groups have recently begun calling the holiday itself 'Brigit', presumably as shorthand for "Brigit's Day". This lexical laziness is lamentable since it confuses a Deity name for the proper name of the holiday. The same disconcerting trend can be seen in the recent practice of referring to the autumnal equinox as 'Mabon', which is more properly the name of a Welsh God-form.

Another holiday that gets mixed up in this is Valentine's Day. Ozark folklorist Vance Randolph makes this quite clear by noting that the old-timers used to celebrate Groundhog Day on February 14. This same displacement is evident in Eastern Orthodox Christianity as well. Their habit of celebrating the birth of Jesus on January 7, with a similar postdated shift in the six-week period that follows it, puts the Feast of the Purification of Mary on February 14. It is amazing to think that the same confusion and lateral displacement of one of the old folk holidays can be seen from the Russian steppes to the Ozark hills, but such seems to be the case!

Incidentally, there is speculation among linguistic scholars that the very name of "Valentine" has Pagan origins. It seems that it was customary for French peasants of the Middle Ages to pronounce a g as a v. Consequently, the original term may have been the French "galantine", which yields the English word "gallant". The word originally refers to a dashing young man known for his "affaires d'amour", a true galaunt. The usual associations of V(G)alantine's Day make much more sense in this light than their vague connection to a legendary 'St. Valentine' can produce. Indeed, the church has always found it rather difficult to explain this nebulous saint's connection to the secular pleasures of flirtation and courtly love.

For modern Witches, Candlemas O.S. may then be seen as the Pagan version of Valentine's Day, with a de-emphasis of hearts and flowers and an appropriate reemphasis of Pagan carnal frivolity. This also realigns the holiday with the ancient Roman Lupercalia, a fertility festival held at this time, in which the priests of Pan ran through the streets of Rome, whacking young women with goatskin thongs to make them fertile. The women seemed to enjoy the attention and often stripped in order to afford better targets.

One of the nicest folk customs still practiced in many countries, and especially by Witches in the British Isles and parts of the U.S., is to place a lighted candle in each and every window of the house (or at least the windows that face the street), beginning at sundown on Candlemas Eve (February 1), allowing them to continue burning until sunrise. Make sure that such candles are well seated against tipping and guarded from nearby curtains, etc. What a cheery sight it is on this cold, bleak, and dreary night to see house after house with candlelit windows! And, of course, if you are your coven's chandler, or if you just happen to like making candles, Candlemas Day is the day for doing it. Some covens hold candle-making parties and try to make and bless all the candles they'll be using for the whole year on this day.

Other customs of the holiday include weaving "Brigit's crosses" from straw or wheat to hang around the house for protection, performing rites of spiritual cleansing and purification, making "Brigit's beds" to ensure fertility of mind and spirit (and body, if desired), and making "crowns of light" (i.e., of candles) for the high priestess to wear for the Candlemas Circle, similar to those worn on St. Lucy's Day in Scandinavian countries. All in all, this Pagan Festival of Lights, sacred to the young Maiden Goddess, is one of the most beautiful and poetic of the year.

Most Recent Text Revision: Tuesday, May 3, 2005 c.e.
Text editing courtesy of Acorn Guild Press.
Document Copyright © 1986, 1995, 2005 by Mike Nichols.

Permission is given to re-publish this document only as long as no information is lost or changed, credit is given to the author, and it is provided or used without cost to others. This notice represents an exception to the copyright notice found in the Acorn Guild Press edition of The Witches' Sabbats and applies only to the text as given above. Other uses of this document must be approved in writing by Mike Nichols.

LADY DAY
The Vernal Equinox

by Mike Nichols

Now comes the vernal equinox, and the season of spring reaches its apex, halfway through its journey from Candlemas to Beltane. Once again, night and day stand in perfect balance, with the powers of light on the ascendancy. The God of Light now wins a victory over his twin, the God of Darkness. In The Mabinogion myth reconstruction that I have proposed, this is the day on which the restored Llew takes his vengeance on Goronwy by piercing him with the sunlight spear. For Llew was restored/reborn at the winter solstice and is now well/old enough to vanquish his rival/twin and mate with his lover/ mother. And the Great Mother Goddess, who has returned to her Virgin aspect at Candlemas, welcomes the young Sun God's embraces and conceives a child. The child will be born nine months from now, at the next winter solstice. And so the cycle closes at last.

We think that the customs surrounding the celebration of the spring equinox were imported from Mediterranean lands, although there can be no doubt that the first inhabitants of the British Isles observed it, as evidence from megalithic sites shows. But it was certainly more popular to the south, where people celebrated the holiday as New Year's Day, and claimed it as the first day of the first sign of the zodiac, Aries. However you look at it, it is certainly a time of new beginnings, as a simple glance at nature will prove.

In the Roman Catholic Church, there are two holidays that get mixed up with the vernal equinox. The first, occurring on the fixed calendar day of March 25 in the old liturgical calendar, is called the Feast of the Annunciation of the Blessed Virgin Mary (or B.V.M., as she was typically abbreviated in Catholic missals). Annunciation means an "announcement". This is the day that the archangel Gabriel announced to Mary that she was "in the family way". Naturally, this had to be announced since Mary, being still a virgin, would have no other means of knowing it. (Quit scoffing, O ye of little faith!) Why did the church pick the vernal equinox for the commemoration of this event? Because it was necessary to have Mary conceive the child Jesus a full nine months before his birth at the winter solstice (i.e., Christmas, celebrated on the fixed calendar date of December 25). Mary's pregnancy would take the natural nine months to complete, even if the conception was a bit unorthodox.

As mentioned before, the older Pagan equivalent of this scene focuses on the joyous process of natural conception, when the young Virgin Goddess (in this case, "virgin" in the original sense of meaning "unmarried") mates with the young solar God, who has just displaced his rival. This is probably not their first mating, however. In the mythical sense, the couple may have been lovers since Candlemas, when the young God reached puberty. But the young Goddess was recently a mother (at the winter solstice) and is probably still nursing her new child. Therefore, conception is naturally delayed for six weeks or so and, despite earlier matings with the God, she does not conceive until (surprise!) the vernal equinox. This may also be their handfasting, a sacred marriage between God and Goddess called a hierogamy, the ultimate Great Rite. Probably the nicest study of this theme occurs in M. Esther Harding's book, Woman's Mysteries. Probably the nicest description of it occurs in Marion Zimmer Bradley's The Mists of Avalon, in the scene where Morgan and Arthur assume the sacred roles. (Bradley follows the British custom of transferring the episode to Beltane, when the climate is more suited to its outdoor celebration.)

The other Christian holiday that gets mixed up in this is Easter. Easter, too, celebrates the victory of a God of light (Jesus) over darkness (death), so it makes sense to place it at this season. Ironically, the name "Easter" was taken from the name of a Teutonic lunar Goddess, Eostre (from whence we also get the name of the female hormone, estrogen). Her chief symbols were the bunny (both for fertility and because her worshippers saw a hare in the full moon) and the egg (symbolic of the Cosmic Egg of Creation), images that Christians have been hard pressed to explain. Her holiday, the Eostara, was held on the vernal equinox full moon. Of course, the church doesn't celebrate full moons, even if they do calculate by them, so they planted their Easter on the following Sunday. Thus, Easter is always the first Sunday, after the first full moon, after the vernal equinox. If you've ever wondered why Easter moved all around the calendar, now you know. (By the way, the Catholic Church was so adamant about not incorporating lunar Goddess symbolism that they added a further calculation: if Easter Sunday were to fall on the full moon itself, then Easter was postponed to the following Sunday instead.)

Incidentally, this raises another point: recently, some Pagan traditions began referring to the vernal equinox as 'Eostara'. Historically, this is incorrect. Eostara is a lunar holiday, honoring a lunar Goddess, at the vernal full moon. Hence, the name "Eostara" is best reserved to the nearest Esbat, rather than the Sabbat itself. How this happened is difficult to say. However, it is notable that some of the same groups misappropriated the term 'Lady Day' for Beltane, which left no good folk name for the equinox. Thus, 'Eostara' was misappropriated for it, completing a chain reaction of displacement. Needless to say, the old and accepted folk name for the vernal equinox is "Lady Day". Christians sometimes insist that the title is in honor of Mary and her Annunciation, but Pagans will smile knowingly.

Another mythological motif that must surely arrest our attention at this time of year is that of the descent of the God or Goddess into the Underworld. Perhaps we see this most clearly in the Christian tradition. Beginning with his death on the cross on Good Friday, it is said that Jesus "descended into hell" for the three days that his body lay entombed. But on the third day (that is, Easter Sunday), his body and soul rejoined, he arose from the dead and ascended into heaven. By a strange 'coincidence', most ancient Pagan religions speak of the Goddess descending into the Underworld, also for a period of three days.

Why three days? If we remember that we are here dealing with the lunar aspect of the Goddess, the reason should be obvious. As the text of one Book of Shadows gives it, "As the moon waxes and wanes, and walks three nights in darkness, so the Goddess once spent three nights in the Kingdom of Death." In our modern world, alienated as it is from nature, we tend to mark the time of the new moon (when no moon is visible) as a single date on a calendar. We tend to forget that the moon is also hidden from our view on the day before and the day after our calendar date. But this did not go unnoticed by our ancestors, who always speak of the Goddess's sojourn into the Land of Death as lasting for three days. Is it any wonder then that we celebrate the next full moon (the Eostara) as the return of the Goddess from chthonic regions?

Naturally, this is the season to celebrate the victory of life over death, as any nature lover will affirm. And the Christian religion was not misguided by celebrating Christ's victory over death at this same season. Nor is Christ the only solar hero to journey into the Underworld. King Arthur, for example, does the same thing when he sets sail in his magical ship, Prydwen, to bring back precious gifts (i.e., the gifts of life) from the Land of the Dead, as we are told in The Mabinogi. Welsh triads allude to Gwydion and Amaethon doing much the same thing. In fact, this theme is so universal that mythologists refer to it by a common phrase, "the harrowing of hell".

However, one might conjecture that the descent into hell, or the Land of the Dead, was originally accomplished, not by a solar male Deity, but by a lunar female Deity. It is Nature herself who, in spring, returns from the Underworld with her gift of abundant life. Solar heroes may have laid claim to this theme much later. The very fact that we are dealing with a three-day period of absence should tell us we are dealing with a lunar, not solar, theme. (Although one must make exception for those occasional male lunar deities, such as the Assyrian God, Sin.) At any rate, one of the nicest modern renditions of the harrowing of hell appears in many Books of Shadows as "The Descent of the Goddess". Lady Day may be especially appropriate for the celebration of this theme, whether by storytelling, reading, or dramatic reenactment.

For modern Witches, Lady Day is one of the Lesser Sabbats or Low Holidays of the year, one of the four quarter days. And what date will Witches choose to celebrate? They may choose the traditional folk fixed date of March 25, starting on its eve. Or they may choose the actual equinox point, when the sun crosses the equator and enters the astrological sign of Aries.

Most Recent Text Revision: Tuesday, May 3, 2005 c.e.
Text editing courtesy of Acorn Guild Press.
Document Copyright © 1986, 1995, 2005 by Mike Nichols.

Permission is given to re-publish this document only as long as no information is lost or changed, credit is given to the author, and it is provided or used without cost to others. This notice represents an exception to the copyright notice found in the Acorn Guild Press edition of The Witches' Sabbats and applies only to the text as given above. Other uses of this document must be approved in writing by Mike Nichols.

A Celebration of
MAY DAY

by Mike Nichols

"Perhaps it's just as well that you won't be here ...
to be offended by the sight of our May Day celebrations."
     - Lord Summerisle to Sgt. Howie from The Wicker Man

There are four great festivals of the Pagan Celtic year and the modern Witches' calendar, as well. The two greatest of these are Halloween (the beginning of winter) and May Day (the beginning of summer). Being opposite each other on the wheel of the year, they separate the year into halves. Halloween (also called Samhain) is the Celtic New Year and is generally considered the more important of the two, though May Day runs a close second. Indeed, in some areas--notably Wales--it is considered "the great holiday".

May Day ushers in the fifth month of the modern calendar year, the month of May. This month is named in honor of the Goddess Maia, originally a Greek mountain nymph, later identified as the most beautiful of the Seven Sisters, the Pleiades. By Zeus, she is also the mother of Hermes, God of magic. Maia's parents were Atlas and Pleione, a sea nymph.

The old Celtic name for May Day is Beltane (in its most popular Anglicized form), which is derived from the Irish Gaelic Bealtaine or the Scottish Gaelic Bealtuinn, meaning "Bel-fire", the fire of the Celtic God of Light (Bel, Beli, or Belinus). He, in turn, may be traced to the Middle Eastern God Baal.

Other names for May Day include: Cetsamhain (opposite Samhain), Walpurgisnacht (in Germany), and Roodmas (the medieval church's name). This last came from church fathers who were hoping to shift the common people's allegiance from the Maypole (Pagan lingam--symbol of life) to the Holy Rood (the cross--Roman instrument of death).

Incidentally, there is no historical justification for calling May 1 'Lady Day'. For hundreds of years, that title has been proper to the vernal equinox (approximately March 21), another holiday sacred to the Great Goddess. The nontraditional use of 'Lady Day' for May 1 is quite recent (since the early 1970s), and seems to be confined to America, where it has gained widespread acceptance among certain segments of the Craft population. This rather startling departure from tradition would seem to indicate an unfamiliarity with European calendar customs, as well as a lax attitude toward scholarship among too many Pagans. A simple glance at a dictionary (Webster's 3rd or O.E.D.), encyclopedia (Benet's), or standard mythology reference (Jobe's Dictionary of Mythology, Folklore & Symbols) would confirm the correct date for Lady Day as the vernal equinox.

By Celtic reckoning, the actual Beltane celebration begins on sundown of the preceding day, April 30, because the Celts always figured their days from sundown to sundown. And sundown was the proper time for Druids to kindle the great Belfires on the tops of the nearest beacon hill (such as Tara Hill, Co. Meath, in Ireland). These "need-fires" had healing properties, and skyclad Witches would jump through the flames to ensure protection.

Sgt. Howie (shocked): "But they are naked!"
Lord Summerisle: "Naturally. It's much too dangerous
to jump through the fire with your clothes on!"
     - from The Wicker Man

Frequently, cattle would be driven between two such bonfires (oak wood was the favorite fuel for them) and, on the morrow, they would be taken to their summer pastures.

Other May Day customs include: walking the circuit of one's property ("beating the bounds"), repairing fences and boundary markers, processions of chimney sweeps and milkmaids, archery tournaments, morris dances, sword dances, feasting, music, drinking, and maidens bathing their faces in the dew of May morning to retain their youthful beauty.

In the words of Witchcraft writers Janet and Stewart Farrar, the Beltane celebration was principally a time of "unashamed human sexuality and fertility". Such associations include the obvious phallic symbolism of the Maypole and riding the hobbyhorse. Even a seemingly innocent children's nursery rhyme "Ride a cock horse to Banburry Cross ..." retains such memories. And the next line, "to see a fine Lady on a white horse", is a reference to the annual ride of Lady Godiva through Coventry. Every year for nearly three centuries, a skyclad village maiden (elected "Queen of the May") enacted this Pagan rite, until the Puritans put an end to the custom.

The Puritans, in fact, reacted with pious horror to most of the May Day rites, even making Maypoles illegal in 1644. They especially attempted to suppress the "greenwood marriages" of young men and women who spent the entire night in the forest, staying out to greet the May sunrise, and bringing back boughs of flowers and garlands to decorate the village the next morning. One angry Puritan wrote that men "doe use commonly to runne into woodes in the night time, amongst maidens, to set bowes, in so muche, as I have hearde of tenne maidens whiche went to set May, and nine of them came home with childe." And another Puritan complained that, "Of forty, threescore or a hundred maids going to the wood over night, there have scarcely the third part of them returned home again undefiled."

Long after the Christian form of marriage (with its insistence on sexual monogamy) had replaced the older Pagan handfasting, the rules of strict fidelity were always relaxed for the May Eve rites. Names such as Robin Hood, Maid Marion, and Little John played an important part in May Day folklore, often used as titles for the dramatis personae of the celebrations. And modern surnames such as Robinson, Hodson, Johnson, and Godkin may attest to some distant May Eve spent in the woods.

These wildwood antics have inspired writers such as Kipling:

Oh, do not tell the Priest our plight,
Or he would call it a sin;
But we have been out in the woods all night,
A-conjuring Summer in!

And Lerner and Lowe:

It's May! It's May!
The lusty month of May!...
Those dreary vows that ev'ryone takes,
Ev'ryone breaks.
Ev'ryone makes divine mistakes!
The lusty month of May!

It is certainly no accident that Queen Guinevere's 'abduction' by Meliagrance occurs on May 1 when she and the court have gone a-Maying, or that the usually efficient Queen's guard, on this occasion, rode unarmed.

Some of these customs seem virtually identical to the old Roman feast of flowers, the Floralia, three days of unrestrained sexuality that began at sundown April 28 and reached a crescendo on May 1.

There are other, even older, associations with May 1 in Celtic mythology. According to the ancient Irish Book of Invasions, the first settler of Ireland, Partholan, arrived on May 1, and it was on May 1 that the plague came that destroyed his people. Years later, the Milesians conquered the Tuatha De Danann on May Day. In Welsh myth, the perennial battle between Gwythur and Gwyn for the love of Creiddyled took place each May Day, and it was on May Eve that Teirnyon lost his colts and found Pryderi. May Eve was also the occasion of a fearful scream that was heard each year throughout Wales, one of the three curses of the Coranians lifted by the skill of Lludd and Llevelys.

By the way, due to various calendrical changes down through the centuries, the traditional date of Beltane is not the same as its astrological date. This date, like all astronomically determined dates, may vary by a day or two depending on the year. However, it may be calculated easily enough by determining the date on which the sun is at fifteen degrees Taurus (usually around May 5). British Witches often refer to this date as Old Beltane, and folklorists call it Beltane O.S. (Old Style). Some covens prefer to celebrate on the old date and, at the very least, it gives one options. If a coven is operating on 'Pagan Standard Time' and misses May 1 altogether, it can still throw a viable Beltane bash as long as it's before May 5. This may also be a consideration for covens that need to organize activities around the weekend.

This date has long been considered a "power point" of the zodiac, and is symbolized by the Bull, one of the tetramorph figures featured on the tarot cards, the World and the Wheel of Fortune. (The other three symbols are the Lion, the Eagle, and the Spirit.) Astrologers know these four figures as the symbols of the four "fixed" signs of the zodiac (Taurus, Leo, Scorpio, and Aquarius), and these naturally align with the four Great Sabbats of Witchcraft. Christians have adopted the same iconography to represent the four Gospel writers.

But for most, it is May 1 that is the great holiday of flowers, Maypoles, and greenwood frivolity. It is no wonder that, as recently as 1977, Ian Anderson could pen the following lyrics for the band Jethro Tull:

For the May Day is the great day,
Sung along the old straight track.
And those who ancient lines did ley
Will heed this song that calls them back.
Most Recent Text Revision: Tuesday, May 3, 2005 c.e.
Text editing courtesy of Acorn Guild Press.
Document Copyright © 1986, 1995, 2005 by Mike Nichols.

Permission is given to re-publish this document only as long as no information is lost or changed, credit is given to the author, and it is provided or used without cost to others. This notice represents an exception to the copyright notice found in the Acorn Guild Press edition of The Witches' Sabbats and applies only to the text as given above. Other uses of this document must be approved in writing by Mike Nichols.

A Midsummer's Celebration

by Mike Nichols

The young maid stole through the cottage door,
And blushed as she sought the Plant of pow'r; --
"Thou silver glow-worm, O lend me thy light,
I must gather the mystic St. John's wort tonight,
The wonderful herb, whose leaf will decide
If the coming year shall make me a bride."

In addition to the four great festivals of the Pagan Celtic year, there are four lesser holidays as well: the two solstices, and the two equinoxes. In folklore, these are referred to as the four "quarter days" of the year, and modern Witches call them the four "Lesser Sabbats", or the four "Low Holidays". The summer solstice is one of them.

Technically, a solstice is an astronomical point and, due to the calendar creep of the leap-year cycle, the date may vary by a few days depending on the year. The summer solstice occurs when the sun reaches the Tropic of Cancer, and we experience the longest day and the shortest night of the year. Astrologers know this as the date on which the sun enters the sign of Cancer.

However, since most European peasants were not accomplished at reading an ephemeris or did not live close enough to Salisbury Plain to trot over to Stonehenge and sight down its main avenue, they celebrated the event on a fixed calendar date, June 24. The slight forward displacement of the traditional date is the result of multitudinous calendrical changes down through the ages. It is analogous to the winter solstice celebration, which is astronomically on or about December 21, but is celebrated on the traditional date of December 25, Yule, later adopted by the Christians.

Again, it must be remembered that the Celts reckoned their days from sundown to sundown, so the June 24 festivities actually begin on the previous sundown (our June 23). This was the date of Shakespeare's A Midsummer Night's Dream. Which brings up another point: our modern calendars are quite misguided in suggesting that 'summer begins' on the solstice. According to the old folk calendar, summer begins on May Day and ends on Lammas (August 1), with the summer solstice, midway between the two, marking midsummer. This makes more logical sense than suggesting that summer begins on the day when the sun's power begins to wane and the days grow shorter.

Although our Pagan ancestors probably preferred June 24 (and indeed most European folk festivals today use this date), the sensibility of modern Witches seems to prefer the actual solstice point, beginning the celebration on its eve, or the sunset immediately preceding the solstice point. Again, it gives modern Pagans a range of dates to choose from with, hopefully, a weekend embedded in it.

Just as the Pagan Midwinter celebration of Yule was adopted by Christians as "Christmas" (December 25), so too the Pagan Midsummer celebration was adopted by them as the Feast of John the Baptist (June 24). Occurring 180 degrees apart on the wheel of the year, the Midwinter celebration commemorates the birth of Jesus, while the Midsummer celebration commemorates the birth of John, the prophet who was born six months before Jesus in order to announce his arrival.

Although modern Witches often refer to the holiday by the rather generic name of "Midsummer's Eve", it is more probable that our Pagan ancestors of a few hundred years ago actually used the Christian name for the holiday, "St. John's Eve". This is evident from the wealth of folklore that surrounds the summer solstice (i.e., that it is a night especially sacred to the faerie folk), but which is inevitably ascribed to "St. John's Eve", with no mention of the sun's position. It could also be argued that a coven's claim to antiquity might be judged by what name it gives the holidays. (Incidentally, the name 'Litha' for the holiday is a modern usage, possibly based on a Saxon word that means the opposite of Yule. Still, there is little historical justification for its use in this context.) But weren't our Pagan ancestors offended by the use of the name of a Christian saint for a pre-Christian holiday?

Well, to begin with, their theological sensibilities may not have been as finely honed as our own. But secondly and more importantly, St. John himself was often seen as a rather Pagan figure. He was, after all, called "the Oak King". His connection to the wilderness (from whence "the voice cried out") was often emphasized by the rustic nature of his shrines. Many statues show him as a horned figure (as is also the case with Moses). Christian iconographers mumble embarrassed explanations about "horns of light", while modern Pagans giggle and happily refer to such statues as "Pan the Baptist". And to clench matters, many depictions of John actually show him with the lower torso of a satyr, cloven hooves and all! Obviously, this kind of John the Baptist is more properly a Jack in the Green! Also obvious is that behind the medieval conception of St. John lies a distant, shadowy Pagan Deity, perhaps the archetypal Wild Man of the wood, whose face stares down at us through the foliate masks that adorn so much church architecture. Thus, medieval Pagans may have had fewer problems adapting than we might suppose.

In England, it was the ancient custom on St. John's Eve to light large bonfires after sundown, which served the double purpose of providing light to the revelers and warding off evil spirits. This was known as "setting the watch". People often jumped through the fires for good luck. In addition to these fires, the streets were lined with lanterns, and people carried cressets (pivoted lanterns atop poles) as they wandered from one bonfire to another. These wandering, garland-bedecked bands were called a "marching watch". Often they were attended by morris dancers, and traditional players dressed as a unicorn, a dragon, and six hobbyhorse riders. Just as May Day was a time to renew the boundary of one's own property, so Midsummer's Eve was a time to ward the boundary of the city.

Customs surrounding St. John's Eve are many and varied. At the very least, most young folk plan to stay up throughout the whole of this shortest night. Certain courageous souls might spend the night keeping watch in the center of a circle of standing stones. To do so would certainly result in either death, madness, or (hopefully) the power of inspiration to become a great poet or bard. (This is, by the way, identical to certain incidents in the first branch of The Mabinogion.) This was also the night when the serpents of the island would roll themselves into a hissing, writhing ball in order to engender the "glain", also called the "serpent's egg", "snake stone", or "Druid's egg". Anyone in possession of this hard glass bubble would wield incredible magical powers. Even Merlyn himself (accompanied by his black dog) went in search of it, according to one ancient Welsh story.

Snakes were not the only creatures active on Midsummer's Eve. According to British faery lore, this night was second only to Halloween for its importance to the Wee Folk, who especially enjoyed a ridling on such a fine summer's night. In order to see them, you had only to gather fern seed at the stroke of midnight and rub it onto your eyelids. But be sure to carry a little bit of rue in your pocket, or you might well be "pixie-led". Or, failing the rue, you might simply turn your jacket inside out, which should keep you from harm's way. But if even this fails, you must seek out one of the "ley lines", the old straight tracks, and stay upon it to your destination. This will keep you safe from any malevolent power, as will crossing a stream of "living" (running) water.

Other customs included decking the house (especially over the front door) with birch, fennel, St. John's wort, orpin, and white lilies. Five plants were thought to have special magical properties on this night: rue, roses, St. John's wort, vervain, and trefoil. Indeed, Midsummer's Eve in Spain is called the "Night of the Verbena (Vervain)". St. John's wort was especially honored by young maidens who picked it in the hopes of divining a future lover.

And the glow-worm came
With its silvery flame,
And sparkled and shone
Through the night of St. John,
And soon has the young maid her love-knot tied.

There are also many mythical associations with the summer solstice, not the least of which concerns the seasonal life of the God of the sun. Inasmuch as I believe that I have recently discovered certain associations and correspondences not hitherto realized, I have elected to treat this subject in some depth in another essay. Suffice it to say here, that I disagree with the generally accepted idea that the Sun God meets his death at the summer solstice. I believe there is good reason to see the Sun God at his zenith--his peak of power--on this day, and that his death at the hands of his rival would not occur for another quarter of a year. Material drawn from the Welsh mythos seems to support this thesis. In Irish mythology, midsummer is the occasion of the first battle between the Fir Bolgs and the Tuatha De Danaan.

Altogether, Midsummer is a favorite holiday for many Witches in that it is so hospitable to outdoor celebrations. The warm summer night seems to invite it. And if the celebrants are not, in fact, skyclad, then you may be fairly certain that the long ritual robes of winter have yielded place to short, tunic-style apparel. As with the longer gowns, tradition dictates that one should wear nothing underneath--the next best thing to skyclad, to be sure. (Incidentally, now you know the real answer to the old Scottish joke, "What is worn beneath the kilt?")

The two chief icons of the holiday are the spear (symbol of the Sun God in his glory) and the summer cauldron (symbol of the Goddess in her bounty). The precise meaning of these two symbols, which I believe I have recently discovered, will be explored in the essay on the death of Llew. But it is interesting to note here that modern Witches often use these same symbols in their Midsummer rituals. And one occasionally hears the alternative consecration formula, "As the spear is to the male, so the cauldron is to the female." With these mythic associations, it is no wonder that Midsummer is such a joyous and magical occasion!

Most Recent Text Revision: Tuesday, May 3, 2005 c.e.
Text editing courtesy of Acorn Guild Press.
Document Copyright © 1986, 1995, 2005 by Mike Nichols.

Permission is given to re-publish this document only as long as no information is lost or changed, credit is given to the author, and it is provided or used without cost to others. This notice represents an exception to the copyright notice found in the Acorn Guild Press edition of The Witches' Sabbats and applies only to the text as given above. Other uses of this document must be approved in writing by Mike Nichols.

LAMMAS
The First Harvest

by Mike Nichols

It was upon a Lammas Night
When corn rigs are bonny,
Beneath the Moon's unclouded light,
I held awhile to Annie....

Although in the heat of a midwestern summer it might be difficult to discern, the festival of Lammas (August 1) marks the end of summer and the beginning of fall. The days now grow visibly shorter and by the time we've reached autumn's end (October 31), we will have run the gamut of temperature from the heat of August to the cold and (sometimes) snow of November. And in the midst of it, a perfect midwestern autumn.

The history of Lammas is as convoluted as all the rest of the old folk holidays. It is, of course, a cross-quarter day, one of the four High Holidays or Greater Sabbats of Witchcraft, occurring one quarter of a year after Beltane. Its true astrological point is fifteen degrees Leo, but tradition has set August 1 as the day Lammas is typically celebrated. The celebration proper would begin on sundown of the previous evening, our July 31, since the Celts reckon their days from sundown to sundown.

However, British Witches often refer to the astrological date of August 6 as Old Lammas, and folklorists call it Lammas O.S. (Old Style). This date has long been considered a "power point" of the zodiac, and is symbolized by the Lion, one of the tetramorph figures found on the tarot cards, the World and the Wheel of Fortune (the other three figures being the Bull, the Eagle, and the Spirit). Astrologers know these four figures as the symbols of the four "fixed" signs of the zodiac, and these naturally align with the four Great Sabbats of Witchcraft. Christians have adopted the same iconography to represent the four Gospel writers.

"Lammas" was the medieval Christian name for the holiday, and it means "loaf-mass", for this was the day on which loaves of bread were baked from the first grain harvest and laid on the church altars as offerings. It was a day representative of "first fruits" and early harvest.

In Irish Gaelic, the feast was referred to as "Lughnasadh", a feast to commemorate the funeral games of the Irish Sun God Lugh. However, there is some confusion on this point. Although at first glance, it may seem that we are celebrating the death of Lugh, the God of Light does not really die (mythically) until the autumnal equinox. And indeed, if we read the Irish myths closer, we discover that it is not Lugh's death that is being celebrated, but the funeral games that Lugh hosted to commemorate the death of his foster mother, Taillte. That is why the Lughnasadh celebrations in Ireland are often called the "Tailltean games".

The time went by with careless heed
Between the late and early,
With small persuasion she agreed
To see me through the barley....

One common feature of the games was the "Tailltean marriages", a rather informal marriage that lasted for only a yearand- a-day or until next Lammas. At that time, the couple could decide to continue the arrangement if it pleased them, or to stand back to back and walk away from one another, thus bringing the Tailltean marriage to a formal close. Such trial marriages (obviously related to the Wiccan handfasting) were quite common even into the 1500s, although it was something one "didn't bother the parish priest about". Indeed, such ceremonies were usually solemnized by a poet, bard, or shanachie (or, it may be guessed, by a priest or priestess of the Old Religion).

Lammastide was also the traditional time of year for craft festivals. The medieval guilds would create elaborate displays of their wares, decorating their shops and themselves in bright colors and ribbons, marching in parades, and performing strange, ceremonial plays and dances for the entranced onlookers. The atmosphere must have been quite similar to our modern-day Renaissance festivals.

A ceremonial highlight of such festivals was the Catherine wheel. Although the Roman Church moved St. Catherine's feast day all around the calendar with bewildering frequency, its most popular date was Lammas. (They also kept trying to expel this much-loved saint from the ranks of the blessed because she was mythical rather than historical, and because her worship gave rise to the heretical sect known as the Cathari.) At any rate, a large wagon wheel was taken to the top of a nearby hill, covered with tar, set aflame, and ceremoniously rolled down the hill. Some mythologists see in this ritual the remnants of a Pagan rite symbolizing the end of summer, the flaming disk representing the Sun God in his decline. And just as the Sun King has now reached the autumn of his years, his rival or dark self has just reached puberty.

Many commentators have bewailed the fact that traditional Gardnerian and Alexandrian Books of Shadows say very little about the holiday of Lammas, stating only that poles should be ridden and a circle dance performed. This seems strange, for Lammas is a holiday of rich mythic and cultural associations, providing endless resources for liturgical celebration.

Corn rigs and barley rigs,
Corn rigs are bonny!
I'll not forget that happy night
Among the rigs with Annie!

[Verse quotations by Robert Burns, as handed down through several Books of Shadows.]

Most Recent Text Revision: Tuesday, May 3, 2005 c.e.
Text editing courtesy of Acorn Guild Press.
Document Copyright © 1986, 1995, 2005 by Mike Nichols.

Permission is given to re-publish this document only as long as no information is lost or changed, credit is given to the author, and it is provided or used without cost to others. This notice represents an exception to the copyright notice found in the Acorn Guild Press edition of The Witches' Sabbats and applies only to the text as given above. Other uses of this document must be approved in writing by Mike Nichols.

Harvest Home

By Mike Nichols

There were three men came out of the West,
Their fortunes for to try,
And these three men made a solemn vow,
John Barleycorn must die....

Despite the bad publicity generated by Thomas Tryon's novel, Harvest Home is the pleasantest of holidays. Admittedly, it does involve the concept of sacrifice, but one that is symbolic only. The sacrifice is that of the spirit of vegetation, John Barleycorn. Occurring one quarter of the year after Midsummer, Harvest Home represents midautumn, autumn's height. It is also the autumnal equinox, one of the quarter days of the year, a Lesser Sabbat and a Low Holiday in modern Witchcraft. Recently, some Pagan groups have begun calling the holiday by the Welsh name 'Mabon', although there seems little historical justification for doing so.

Technically, an equinox is an astronomical point and, due to the fact that our leap-year cycle causes dates to slip and then snap back into place, the date may vary by a few days depending on the year. The autumnal equinox occurs when the sun crosses the equator on its apparent journey southward, and we experience a day and a night that are of equal duration. Up until Harvest Home, the hours of daylight have been greater than the hours from dusk to dawn. But from now on, the reverse holds true. Astrologers know this as the date on which the sun enters the sign of Libra, the Scales (an appropriate symbol of a balanced day and night).

However, since most European peasants were not accomplished at calculating the exact date of the equinox, they celebrated the event on a fixed calendar date, September 25, a holiday the medieval church Christianized under the name of "Michaelmas", the feast of the archangel Michael. (One wonders if, at some point, the Roman Catholic Church contemplated assigning the four quarter days of the year to the four archangels, just as they assigned the four cross-quarter days to the four Gospel writers. Further evidence for this may be seen in the fact that there was a brief flirtation with calling the vernal equinox "Gabrielmas", ostensibly to commemorate the archangel Gabriel's announcement to Mary on Lady Day.)

Again, it must be remembered that the Celts reckoned their days from sundown to sundown, so the September 25 festivities actually begin on the previous sundown (our September 24). Although our Pagan ancestors probably celebrated Harvest Home on September 25, modern Witches and Pagans, with their desktop computers for making finer calculations, seem to prefer the actual equinox point, beginning the celebration on its eve.

Mythically, this is the day of the year when the God of Light is defeated by his twin and alter ego, the God of Darkness. It is the time of the year when night conquers day. And as I have recently shown in my seasonal reconstruction of the Welsh myth of Blodeuwedd, the autumnal equinox is the only day of the whole year when Llew (light) is vulnerable and it is possible to defeat him. Llew now stands on the Balance (Libra/ autumnal equinox), with one foot on the Cauldron (Cancer/ summer solstice) and his other foot on the Goat (Capricorn/ winter solstice). Thus he is betrayed by Blodeuwedd, the Virgin (Virgo) and transformed into an Eagle (Scorpio).

Two things are now likely to occur mythically, in rapid succession. Having defeated Llew, Goronwy (darkness) now takes over Llew's functions, both as lover to Blodeuwedd, the Goddess, and as king of our own world. Although Goronwy, the Horned King, now sits on Llew's throne and begins his rule immediately, his formal coronation will not be for another six weeks, occurring at Samhain (Halloween) or the beginning of winter, when he becomes the Winter Lord, the Dark King, Lord of Misrule. Goronwy's other function has more immediate results, however. He mates with the Virgin Goddess, and Blodeuwedd conceives, and will give birth--nine months later (at the summer solstice)--to Goronwy's son, who is really another incarnation of himself, the Dark Child.

Llew's sacrificial death at Harvest Home also identifies him with John Barleycorn, spirit of the fields. Thus, Llew represents not only the sun's power, but also the sun's life trapped and crystallized in the corn. Often this corn spirit was believed to reside most especially in the last sheaf or shock harvested, which was dressed in fine clothes, or woven into a wicker-like man-shaped form. This effigy was then cut and carried from the field, and usually burned, amidst much rejoicing. So one may see Blodeuwedd and Goronwy in a new guise, not as conspirators who murder their king, but as kindly farmers who harvest the crop that they had planted and so lovingly cared for. And yet, anyone who knows the old ballad of John Barleycorn knows that we have not heard the last of him.

They let him stand till midsummer's day,
Till he looked both pale and wan,
And little Sir John's grown a long, long beard
And so become a man....

Incidentally, this annual mock sacrifice of a large wickerwork figure (representing the vegetation spirit) may have been the origin of the misconception that Druids made human sacrifices. This charge was first made by Julius Caesar (who may not have had the most unbiased of motives), and has been restated many times since. However, as has often been pointed out, the only historians besides Caesar who make this accusation are those who have read Caesar. And, in fact, upon reading Caesar's Gallic Wars closely, one discovers that Caesar never claims to have actually witnessed such a sacrifice. Nor does he claim to have talked to anyone else who did. In fact, there is not one single eyewitness account of a human sacrifice performed by Druids in all of history!

Nor is there any archaeological evidence to support the charge. If, for example, human sacrifices had been performed at the same ritual sites year after year, there would be physical traces. Yet there is not a scrap. Nor is there any native tradition or history that lends support. In fact, insular tradition seems to point in the opposite direction. The Druid's reverence for life was so strict that they refused to lift a sword to defend themselves when massacred by Roman soldiers on the Isle of Mona. Irish brehon laws forbade a Druid to touch a weapon, and any soul rash enough to unsheathe a sword in the presence of a Druid would be executed for such an outrage!

Jesse Weston, in her brilliant study of the Four Hallows of British myth, From Ritual to Romance, points out that British folk tradition is, however, full of mock sacrifices. In the case of the wicker man, such figures were referred to in very personified terms, dressed in clothes, addressed by name, etc. In such a religious ritual drama, everybody played along.

They've hired men with scythes so sharp,
To cut him off at the knee,
They've rolled him and tied him by the waist
Serving him most barbarously....

In the medieval miracle-play tradition of the "Rise Up, Jock" variety (performed by troupes of mummers at all the village fairs), a young harlequin-like king always underwent a mock sacrificial death. But invariably, the traditional cast of characters included a mysterious "Doctor" who had learned many secrets while "traveling in foreign lands". The Doctor reaches into his bag of tricks, plies some magical cure, and presto! the young king rises up hale and whole again, to the cheers of the crowd. As Weston so sensibly points out, if the young king were actually killed, he couldn't very well rise up again, which is the whole point of the ritual drama! It is an enactment of the death and resurrection of the vegetation spirit. And what better time to perform it than at the end of the harvest season!

In the rhythm of the year, Harvest Home marks a time of rest after hard work. The crops are gathered in, and winter is still a month and a half away! Although the nights are getting cooler, the days are still warm, and there is something magical in the sunlight, for it seems silvery and indirect. As we pursue our gentle hobbies of making corn dollies (those tiny vegetation spirits) and wheat weaving, our attention is suddenly arrested by the sound of baying from the skies (the "Hounds of Annwn" passing?), as lines of geese cut silhouettes across a harvest moon. And we move closer to the hearth, the longer evening hours giving us time to catch up on our reading, munching on popcorn balls and caramel apples and sipping home-brewed mead or ale. What a wonderful time Harvest Home is! And how lucky we are to live in a part of the country where the season's changes are so dramatic and majestic!

And little Sir John in the nut-brown bowl--
And he's brandy in the glass,
And little Sir John in the nut-brown bowl
Proved the strongest man at last.

[Traditional song quotations from recording by Traffic.]

Most Recent Text Revision: Tuesday, May 3, 2005 c.e.
Text editing courtesy of Acorn Guild Press.
Document Copyright © 1986, 1995, 2005 by Mike Nichols.

Permission is given to re-publish this document only as long as no information is lost or changed, credit is given to the author, and it is provided or used without cost to others. This notice represents an exception to the copyright notice found in the Acorn Guild Press edition of The Witches' Sabbats and applies only to the text as given above. Other uses of this document must be approved in writing by Mike Nichols.

All Hallow's Eve

by Mike Nichols

Halloween.
Sly does it. Tiptoe catspaws. Slide and creep.
But why? What for? How? Who? When! Where did it all begin?
"You don't know, do you?" asks Carapace Clavicle Moundshroud climbing out of the pile of leaves under the Halloween Tree. "You don't really know!"
     - Ray Bradbury, The Halloween Tree

Samhain. All Hallows. All Hallow's Eve. Hallow E'en. Halloween. The most magical night of the year. Exactly opposite Beltane on the wheel of the year, Halloween is Beltane's dark twin. A night of glowing jack-o'-lanterns, bobbing for apples, tricks or treats, and dressing in costume. A night of ghost stories and sťances, tarot card readings and scrying with mirrors. A night of power, when the veil that separates our world from the Otherworld is at its thinnest. A "spirit night", as they say in Wales.

All Hallow's Eve is the eve of All Hallow's Day (November 1). And for once, even popular tradition remembers that the eve is more important than the day itself, the traditional celebration focusing on October 31, beginning at sundown. And this seems only fitting for the great Celtic New Year's festival. Not that the holiday was Celtic only. In fact, it is startling how many ancient and unconnected cultures (the Egyptians and pre-Spanish Mexicans, for example) celebrated this as a festival of the dead. But the majority of our modern traditions can be traced to the British Isles.

The Celts called it Samhain, which means "summer's end", according to their ancient twofold division of the year, when summer ran from Beltane to Samhain and winter ran from Samhain to Beltane. (Some modern covens echo this structure by letting the high priest "rule" the coven beginning on Samhain, with rulership returned to the high priestess at Beltane.) According to the later fourfold division of the year, Samhain is seen as "autumn's end" and the beginning of winter. Samhain is pronounced (depending on where you're from) as "sow-in" (in Ireland), or "sow-een" (in Wales), or "sav-en" (in Scotland), or (inevitably) "sam-hane" (in the U.S., where we don't speak Gaelic).

Not only is Samhain the end of autumn; it is also, more importantly, the end of the old year and the beginning of the new. Celtic New Year's Eve, when the new year begins with the onset of the dark phase of the year, just as the new day begins at sundown. There are many representations of Celtic Gods with two faces, and it surely must have been one of them who held sway over Samhain. Like his Roman counterpart Janus, he would straddle the threshold, one face turned toward the past, in commemoration of those who died during the last year, and one face gazing hopefully toward the future, mystic eyes attempting to pierce the veil and divine what the coming year holds. These two themes, celebrating the dead and divining the future, are inexorably intertwined in Samhain, as they are likely to be in any New Year's celebration.

As a feast of the dead, this was the one night when the dead could, if they wished, return to the land of the living, to celebrate with their family, tribe, or clan. And so the great burial mounds of Ireland (sidhe mounds) were opened up, with lighted torches lining the walls, so the dead could find their way. Extra places were set at the table and food set out for any who had died that year. And there are many stories that tell of Irish heroes making raids on the Underworld while the gates of faery stood open, though all must return to their appointed places by cockcrow.

As a feast of divination, this was the night par excellence for peering into the future. The reason for this has to do with the Celtic view of time. In a culture that uses a linear concept of time, like our modern one, New Year's Eve is simply a milestone on a very long road that stretches in a straight line from birth to death. Thus, the New Year's festival is a part of time. The ancient Celtic view of time, however, is cyclical. And in this framework, New Year's Eve represents a point outside of time, when the natural order of the universe dissolves back into primordial chaos, preparatory to reestablishing itself in a new order. Thus, Samhain is a night that exists outside of time and, hence, it may be used to view any other point in time. At no other holiday is a tarot card reading, crystal reading, or tealeaf reading so likely to succeed.

The Christian religion, with its emphasis on the "historical" Christ and his act of Redemption 2000 years ago, is forced into a linear view of time, where seeing the future is an illogical proposition. In fact, from the Christian perspective, any attempt to do so is seen as inherently evil. This did not keep the medieval church from co-opting Samhain's other motif, commemoration of the dead. To the church, however, it could never be a feast for all the dead, but only the blessed dead, all those hallowed (made holy) by obedience to God--thus, All Hallow's, or Hallowmas, later All Saints and All Souls.

There are so many types of divination that are traditional to Hallowstide, it is possible to mention only a few. Girls were told to place hazelnuts along the front of the firegrate, each one to symbolize one of her suitors. She could then divine her future husband by chanting, "If you love me, pop and fly; if you hate me, burn and die." Several methods used the apple, that most popular of Halloween fruits. You should slice an apple through the equator (to reveal the five-pointed star within) and then eat it by candlelight before a mirror. Your future spouse will then appear over your shoulder. Or, peel an apple, making sure the peeling comes off in one long strand, reciting, "I pare this apple round and round again; / My sweetheart's name to flourish on the plain: / I fling the unbroken paring o'er my head, / My sweetheart's letter on the ground to read." Or, you might set a snail to crawl through the ashes of your hearth. The considerate little creature will then spell out the initial letter as it moves.

Perhaps the most famous icon of the holiday is the jack-o'- lantern. Various authorities attribute it to either Scottish or Irish origin. However, it seems clear that it was used as a lantern by people who traveled the road this night, the scary face to frighten away spirits or faeries who might otherwise lead one astray. Set on porches and in windows, they cast the same spell of protection over the household. (The American pumpkin seems to have forever superseded the European gourd as the jack-o'- lantern of choice.) Bobbing for apples may well represent the remnants of a Pagan "baptism" rite called a seining, according to some writers. The water-filled tub is a latter-day Cauldron of Regeneration, into which the novice's head is immersed. The fact that the participant in this folk game was usually blindfolded with hands tied behind the back also puts one in mind of a traditional Craft initiation ceremony.

The custom of dressing in costume and "trick-or-treating" is of Celtic origin, with survivals particularly strong in Scotland. However, there are some important differences from the modern version. In the first place, the custom was not relegated to children, but was actively indulged in by adults as well. Also, the "treat" that was required was often one of spirits (the liquid variety). This has recently been revived by college students who go 'trick-or-drinking'. And in ancient times, the roving bands would sing seasonal carols from house-to-house, making the tradition very similar to Yuletide wassailing. In fact, the custom known as caroling, now connected exclusively with Midwinter, was once practiced at all the major holidays. Finally, in Scotland at least, the tradition of dressing in costume consisted almost exclusively of cross-dressing (i.e., men dressing as women, and women as men). It seems as though ancient societies provided an opportunity for people to "try on" the role of the opposite gender for one night of the year. (Although in Scotland, this is admittedly less dramatic--but more confusing--since men were in the habit of wearing skirtlike kilts anyway. Oh well...)

To Witches, Halloween is one of the four High Holidays, or Greater Sabbats, or cross-quarter days. Because it is the most important holiday of the year, it is sometimes called "The Great Sabbat". It is an ironic fact that the newer, self-created covens tend to use the older name of the holiday, Samhain, which they have discovered through modern research. While the older hereditary and traditional covens often use the newer name, Halloween, which has been handed down through oral tradition within their coven. (This often holds true for the names of the other holidays, as well. One may often get an indication of a coven's antiquity by noting what names it uses for the holidays.)

With such an important holiday, Witches often hold two distinct celebrations. First, a large Halloween party for non- Craft friends, often held on the previous weekend. And second, a coven ritual held on Halloween night itself, late enough so as not to be interrupted by trick-or-treaters. If the rituals are performed properly, there is often the feeling of invisible friends taking part in the rites. Another date that may be utilized in planning celebrations is the actual cross-quarter day, or Old Halloween, or Halloween O.S. (Old Style). This occurs when the sun has reached fifteen degrees Scorpio, an astrological "power point" symbolized by the Eagle. The celebration would begin at sunset. Interestingly, this date (Old Halloween) was also appropriated by the church as the holiday of Martinmas.

Of all the Witchcraft holidays, Halloween is the only one that still boasts anything near to popular celebration. Even though it is typically relegated to children (and the young-atheart) and observed as an evening affair only, many of its traditions are firmly rooted in Paganism. Incidentally, some schools have recently attempted to abolish Halloween parties on the grounds that it violates the separation of state and religion. Speaking as a Pagan, I would be saddened by the success of this move, but as a supporter of the concept of religion-free public education, I fear I must concede the point. Nonetheless, it seems only right that there should be one night of the year when our minds are turned toward thoughts of the supernatural. A night when both Pagans and non-Pagans may ponder the mysteries of the Otherworld and its inhabitants. And if you are one of them, may all your jack-o'-lanterns burn bright on this All Hallow's Eve.

Most Recent Text Revision: Monday, May 2, 2005 c.e.
Text editing courtesy of Acorn Guild Press.
Document Copyright © 1986, 1995, 2005 by Mike Nichols.

Permission is given to re-publish this document only as long as no information is lost or changed, credit is given to the author, and it is provided or used without cost to others. This notice represents an exception to the copyright notice found in the Acorn Guild Press edition of The Witches' Sabbats and applies only to the text as given above. Other uses of this document must be approved in writing by Mike Nichols.



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